adrienlucca
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Tag: tire-ligne
July 26, 2012
D65 n°3 part II starts
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I’m gonna do a “lamp simulation” (a circular gradient with constant tint and varying brightness, based on the abstract model of a “perfect lamp,”) based on 11 colors: 3 times RGB with 3 levels of brightness (I dont enter into the detail of how I choosed them) and Black/White.
June 22, 2012
D65 lighting prototype @ JVE, Maastricht – 2011
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D65 Normlicht light tubes mounted with an aluminium reflector
”Table-Tops Room,” Jan van Eyck Academie, Maastricht, NL, 2011
June 6, 2012
D65 #3 1st “fake lamp”
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June 4, 2012
D65 #3 sunlight picture
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I just came back from a long journey, the blog will be re-updated regularly soon.
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May 16, 2012
fake Light, 1st TW pass (in progress…)
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The lightness will change as if there was a perfect lamp at 17 cm from the center of the figure.
The white structure appears really “transparent.”
This geometrical solution could be called the “pixel solution,” since the surface is divided in 2×2 cm squares, other solutions are possible and will be tried later on the study: concentric zones, gradients… The only color added to the grey background is Titanium White (TW), later I’ll try color, enjoy ;)
May 14, 2012
transparent square
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Fine-tuning of titanium-White and carbon-Black to “match’ the lightness of the grey background. Bizarre: following my measurements it was supposed to disappear in the middle, maybe a mistake…
detail below, click to zoom!
May 14, 2012
(will) disappear
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Fine-tuning of titanium-White and carbon-Black to “match’ the lightness of the grey background.
May 10, 2012
D65 #3 starts
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May 5, 2012
étude D65 #2, équivalences / dégradés / disparitions, 2012
étude D65 #2, équivalences / dégradés / disparitions, 2012
hand-made drawing: pigments, indian ink & pencil on paper
162 x 110 cm
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May 4, 2012
just before vanishing
One more layer of color and the entire section will appear grey, and the circular zones will disappear.
Details below
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April 27, 2012
3 x disparition
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This is the final test: does grey circular samples made of bright colors and their grey surroundings made of black lines appear the same, or: visually equivalents. In other terms: do the color-made samples disappear?
It works quite well for these 3 first ones. 5 to go with the opposite problem: black-made samples, colored-lines made surroundings…
After this the question could be: what is the exact distance at which such optical colors mixtures become a “color field,” and how to know (calculate, predict…) it?
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below details:
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