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Tag: D65

D65 series 5 #2, colorspace sections, 2014

D65 series 5 n2

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done!

I decided to change my system of titles.

Since the D65 studies start to have several pieces for each number (n°5.1, 5.2… 6.1, 6.2…) there will be a series number, refering to the type of research (or the ‘family’,) and a serial number starting with a sharp ‘#’

series 5 #2:

– I avoided most pencil traces

– Done in one week (absolute speed record, thanks to computer programming)

– Two new pigments: DPP Red (PR 254), and a Gofun-based Japanese Magenta from here: gofun

Maybe my most beautiful piece so far (?)

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working at night

night 1

night 2

fastest ever made D65 drawing, will be finished tonight, one week!

D65 5.2, two details

5.2 det1

5.2 det2Click ON the pictures to ZOOM

Will be on display at Elaine Levy Project in two weeks…

D65 6.2, gamut: 75% reflectance, 50% coverage, 2014

6.2 small

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HIGHER RESOLUTION CLICK HERE

D65 6.2 in progress 1

D65 6.2 progress 001

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Green

green!3

green!2

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green!1

3 more layers of green pigments to go, then 2 blues and the piece will be done!

another type of moiré

D65 6 A LUCCA 12 04 13 CIN

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down: “cobalt pink-violet”

D65 6 A LUCCA 11 22 13

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About to finish the 1st layer of color, each triangular or quadrangular zone will contain 4 colours, “cobalt violet brilliant” (a high-chroma bluish-magenta pigment) has to go first because of its insane capillarity (over other colors it bleeds out).

the drawing tools behind D65 studies

studio tools

Mise en doute n°15, exhibition pictures

A4

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 ad1 ad2 lau1

lau2

lau3

ad1

ad2 ad3

pano1

pano3

 

Mise en doute n°15, duo exhibition with Laurent Dupont-Garitte

image

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Opening will be Saturday Oct. 26, 2013, see you there!

Hi-resolution picture: D65 n°5, coupes, 2013

adrien lucca D65 5 hires

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D65 n°5, coupes (slices), 2013

D65 5 full

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D65 5 det

D65 5

a good junction

DSCN0038 copie

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To have a good (near invisible) junction between two triangular zones means succeeding, with different lines boldness and angles, to cover the paper with the same proportions of colors. If it is visually good, it means that the drawing instrument is well calibrated, and that all the calculus were correct.

In my next drawing D65 n°6 I will have a lot of junctions like this one, the challenge will be to make them all as good as this one! :)

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