adrienlucca

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Working on the table

The same gamut cut at 40% reflectance

RGB simulation 40pc

2nd simulation of what’s supposed to become D65 n°5

RGB simulation

Basically a color gamut at 50% reflectance

next

simulation bords a lucca 22 avril 2013

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A cut of my colorspace at 50% reflectance (colors are just here to separate groups of 4 primary colours)

There are 43 unique sets of 4 colours that together cover the entire range of colours possible at this luminance level with my primaries.

D65 n°4, four solutions, 2013

D65 4 HIRESbeta LUCCA

HI-RES. PICTURE – CLICK TO ZOOM!

A study for new graphic solutions.

 

3rd part of D65 n°4 (again)

working…..

 

april13 A LUCCA 01

april13 A LUCCA 02

april13 A LUCCA 03

 

Note: the orange color in particular isn’t really rendered by digital photo/computer screen

3rd part of D65 n°4

DSCN9766

DSCN9768

DSCN9769 Simulation test FLOYD STEIN

digital simulation of the previous post

testD65 copie

With 4 other colours and color squares within a grey grid

D65 n°4, 1st quarter

D65 n°4 1st step 5 March 2013 A Lucca

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A 44 x 44 cm greyish square whose color vary slightly in every direction: neutral grey is at the centre (difficult to perceive since it is part of a continuum)

1st quarter of D65 n°4

another D65 n°4

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The previous post about D65 n°4 starting was false alert.

A lot of being human is about being stupid, and what happens then is failed works.

This is the ‘new’ or ‘real’ D65 n°4

Painting with Paints & Lights, Glasgow university talk

Stencils

A LUCCA STENCILS FEB 13

A LUCCA STENCILS II FEB 13

A LUCCA STENCILS III FEB 13

A LUCCA STENCILS IV FEB 13

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tests

prototype stencil tests 1 a lucca 8 Feb 13Y

prototype stencil tests 2 a lucca 8 Feb 13Y

prototype stencil tests 3 a lucca 8 Feb 13Y

prototype stencil tests 4 a lucca 8 Feb 13Y

prototype

prototype stencil a lucca 8 Feb 13YClick on the picture to ZOOM

Endless tests with a cutting plotter (to make stencils) ended up with this: two layers of stencil colors on which it’s still possible to draw lines.

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